The Queen transforms the morbid spectacle surrounding Diana’s tragic death in the summer of 1997 into a trenchant, elegant, and compelling exposition into the nefarious role of the media as both creator (and self-generator) of news and manipulator of public sentiment. By juxtaposing Diana’s death within the framework of Tony Blair’s recent election to the […]
Program 8: Me and My Camera
La Tombola (Ximena Cuevas) Cleverly conceived as the titular, cheaply produced, campy Mexican variety show as the video artist is among an odd assortment of guests that also include a flamboyant celebrity who owns a gaudy, ostentatious estate, an uninhibited exhibitionist who is eager to expose herself at the slightest prompting, and an uptight, conservative […]
Eyes Without a Face, 1959
Eyes Without a Face opens to the sound of a jaunty and strangely carnivalesque music as an apprehensive and distracted woman named Louise (Alida Valli) hurriedly navigates through a dark and empty stretch of highway, momentarily veering off course to the side of the road by the ominous sight of a speeding vehicle quickly approaching […]
Black Gold, 2006
A bold, impassioned, no-holds-barred look at the profoundly deleterious effects of artificial price setting by commodities trading in western financial markets (most notably New York and London) and the inherent inequity of the World Trade Organization’s policies on the livelihood of impoverished farmers in developing countries, Black Gold traces the lucrative coffee trail to its […]
Le Quattro volte, 2010
The idea of permeable boundaries between life and death, reality and fiction also captures the spirit of Michelangelo Frammartino’s distilled, yet richly textured fresco, Le Quattro Volte. Composed of four seasonal portraits that collectively present the cycle of life in the ancient village of Calabria, the film is something of a hybrid between Raymond Depardon’s […]
The Girl from Monaco, 2008
The prevailing stereotype of Monaco as exotic, laid back resort destination and land of fairytale – perpetuated in part by the public’s enduring affection for the principality’s most famous transplant, Grace Kelly – provides the surreal atmosphere for conscientious, Parisian attorney and self-styled ladies man, Bertrand’s (Fabrice Luchini) inopportune case of tropical fever in Anne […]




