Mikio Naruse’s elegantly distilled early silent film Every Night’s Dreams provides an archetype for the filmmaker’s recurring themes: pragmatic, determined women who tenaciously hold onto their failing relationships, weak men who lead a life of increasing dependence on the women they mistreat, life stations that grow baser as characters paradoxically strive to improve their situation. […]
Juvies, 2004 / Three Poems By Spoon Jackson, 2003
Juvies, 2004 (Leslie Neale) Juvies is a compelling, powerful, and unsentimental examination of the California juvenile correction system (and the American juvenile correction system in general) that, rather than provide a structure and process for rehabilitating young offenders in order to deter them from becoming career criminals, are increasingly deferred and processed through the adult […]
Maria, 2003
Channeling the spirit of Italian neorealism in its bleak and unrelenting portrait of abject poverty, Peter Calin Netzer’s Maria is a provocative and articulate social interrogation on the role of globalization, international charity, and the media on the socioeconomic polarization of the working class. Based on a true story (an sad truth that is reinforced […]
China’s Stolen Children, 2007
A thoughtful and remarkably comprehensive examination of modern day human trafficking, Jezza Neumann’s China’s Stolen Children opens to a portrait of Detective Zhu, an overworked, former police officer who left his post in order to dedicate his time trying to find some of the 70,000 children who are abducted each year. With a predominantly poor […]
Carnival Sunday, 1945
Part Alfred Hitchcock styled mysterious intrigue and part 1930s inspired romantic comedy, Edgar Neville’s Carnival Sunday is a taut, irresistibly refined, and well crafted whodunit thriller. Set in the surreal atmosphere of the advent of Carnival Sunday, the beginning of the three day celebration that culminates with the Mardi Gras festivities (and ushers the beginning […]
Aakrosh, 1980
An off-screen narrator dispassionately delivers the terse news account that on December 25, 1978, the body of an Adivasi tribeswoman named Lahanya Nagi (Smita Patil), was found at the bottom of a dry, abandoned well near the village of Kondachiwadi, as the image of the somber faces of a group of resigned villagers, having quietly […]




