Carnival Sunday, 1945

Part Alfred Hitchcock styled mysterious intrigue and part 1930s inspired romantic comedy, Edgar Neville’s Carnival Sunday is a taut, irresistibly refined, and well crafted whodunit thriller. Set in the surreal atmosphere of the advent of Carnival Sunday, the beginning of the three day celebration that culminates with the Mardi Gras festivities (and ushers the beginning […]

Voyage to the Beginning of the World, 2004

On the overgrown grounds of an abandoned and dilapidated health resort ironically called The Grand Hotel of Pezo on the outskirts of the Portuguese town, the aging filmmaker, Manoel (Marcello Mastroianni) recounts a familiar tale by a Brazilian author named Catulo Searence of a poet living in a hut overlooking the river who would diligently […]

Abraham’s Valley, 1993

A genial country doctor, Carlo Paiva (Luís Miguel Cintra) strikes up a polite conversation with a privileged widower named Paulino Cardeano (Ruy de Carvalho) at a dining hall and is immediately captivated by the beguiling, almost forbidding presence of Cardeano’s mannered, but inscrutable adolescent daughter Ema (Cécile Sanz de Alba). But Carlo is neither the […]

No, or the Vain Glory of Command, 1990

Inasmuch as Manoel de Oliveira’s films convey what Randal Johnson describes as a cinematic hybridity that illustrates the amorphous nature of representation, No, or the Vain Glory of Command also reflects a temporal hybridity, where time is presented as a conflation of seemingly arbitrary, but integrally connected history. Opening to a long take of a […]