La Strada, 1954

La Strada is Federico Fellini’s moving masterpiece that explores the soul’s eternal conflict between the heart and mind. Zampano (Anthony Quinn) is a cruel, traveling carnival strongman who buys his assistant, a simple minded young woman named Gelsomina (Giulietta Masina), from her poverty-stricken family. Gelsomina is innocent and childlike (Masina’s exquisite performance is as comic […]

Berlin Alexanderplatz, 1980

How does anyone begin to encapsulate the audacious, manic, insightful, resonant, humane, and allegorically loaded tone of the epic work – the quintessential “anarchy of the imagination” – that is Rainer Werner Fassbinder’s adaptation of Alfred Döblin’s nine book/thirteen chapter, Weimer Republic-era German Expressionist novel Berlin Alexanderplatz? Told from the perspective of an unemployed, hard-drinking, […]

The Third Generation, 1979

An early cursory comment that capitalists invented terrorism as a means of selling security (that, in turn, will safeguard their own survival) provides the trenchant context for Rainer Werner Fassbinder’s delirious and provocative satire, The Third Generation. Alluding to the emergence of a new generation of terrorists who, unlike their predecessors, lack a coherent agenda […]