Droll, charming, and picaresque, Jean Eustache’s Santa Claus Has Blue Eyes chronicles the empty hours, petty capers, and amorous misadventures of Daniel (Jean-Pierre Léaud), an unmotivated (and consequently fired) erstwhile bricklayer and modern day dandy who, rather than admit to his blue collar roots, has concocted an elaborate tale of paternal conspiracy and social consciousness […]
Category: Film Festivals and Retrospectives
Le Cochon, 1970
Something of a germinal template for Raymond Depardon’s Profils Paysans films on a dying way of life in rural (and largely forgotten) France, Jean Eustache and Jean-Michel Barjol’s reverent, vital, and painstakingly observed ethnographic documentary Le Cochon chronicles a day in the life of peasant farmers in the mountainous region of the Massif Central. In […]
Ain’t Scared (Regarde-moi), 2007
During the Q&A for Ain’t Scared (Regarde-moi), Audrey Estrougo remarked that one of her motivations for making the film was to create a more authentic portrait of les cités – the low income housing neighborhoods on the outskirts of the city – that had become an all too convenient political target for all the social […]
A Wonderful World, 2006
A drunken vagrant, Juan Pérez’s (Damián Alcázar) unexpected turn in fortune after sneaking into an office at the World Financial Center headquarters one cold and rainy evening sets the stage for Luis Estrada’s A Wonderful World, a dense, darkly comic, and provocative, if mean-spirited sardonic fairytale on the politics of poverty, charity, globalization, and social […]
All About Darfur, 2005
Incited by increasingly prophetic remarks from the international community that the Darfur crisis is reaching the level of genocide, Sudanese native and British immigrant Taghreed Elsanhouri returns to her beloved homeland to create the provocative, insightful, and illuminating documentary, All About Darfur. Consisting of a series of interviews with ordinary citizens, government officials, displaced, often […]
Stranded in Canton, 1974-2005
Consisting of several black and white home videos taken by William Eggleston around the city of Memphis in 1974 using a modified Sony Porta-pak handheld camera (and occasionally accompanied by Eggleston’s interstitial voice-over narration that provides contextual or anecdotal point of reference to the episode), Stranded in Canton provides a glimpse into what Amy Taubin […]





