Tomorrow We Move, 2003

In the film’s droll, double entendred opening sequence, a breathless woman, Catherine (Aurore Clément), speaks off camera in dulcet, anxious tone as she provides a series of guiding, seemingly appetent directions against the image of a grand piano craned precariously overhead, culminating with a stray tear that falls from her cheek at the point of […]

Chouchou, 2003

A patently offbeat and whimsical confection, Merzak Allouache’s Chouchou recalls the more predictably rocambolesque, light comedies of Francis Veber (particularly, La Cage aux Folles), as a displaced foreigner named Choukri (Gad Elmaleh), nicknamed Chouchou by his late mother, claiming to be a Chilean political exile (albeit anachronistically after the fall of Augusto Pinochet), finds refuge […]

Clean, 2004

Olivier Assayas’ latest film, Clean, is a sincere, well-intentioned, and technically proficient, but uncharacteristically trite and formulaic portrait of a drug-addicted, washed up celebrity and recent widow named Emily Wang (Maggie Cheung) who, having lost custody of her son Jay (James Dennis) to her Canadian in-laws, Albrecht (Nick Nolte) and Rosemary Hauser (Martha Henry) while […]

Le Petit Lieutenant, 2005

Part police procedural and part character study of the camaraderie of detective work, Xavier Beauvois evokes the unsentimentality and objective, cinéma vérité-styled painstaking observation of Maurice Pialat – with similar conflicted results – in his latest film Le Petit Lieutenant. The titular rookie investigator is Antoine (Jalil Lespert), a prototypical provincial cop from Normandy eager […]

Ambitious, 2006

In an early episode in Catherine Corsini’s dark romantic comedy, Ambitious, a timid, aspiring writer book shop owner named Julien (Eric Caravaca) discreetly, but deliberately, foists his recently finished autofiction manuscript on unsuspecting friend and perennial store patron, Mathieu Séchard (Renan Carteaux), the son of a renowned literary publishing house director in Paris, and immediately […]