New York Video Film Festival

Shall We Dance?

After Many a Summer Dies the Swan: Hybrid (Yvonne Rainer) Juxtaposing a series of narrative text that describe the evolution of art and culture in fin-de-siècle Vienna (using historically analytical sources such as Carl Schorske’s Fin-de Siècle Vienna: Politics and Culture, Robert Musil’s The Man Without Qualities, Volume 1, and Allan Janik and Stephen Toulmin’s… read more »

Program 9: Intimations of Mortality

A Silent Day (Takashi Ito) A Silent Day is an appropriately wordless, yet poetic and instinctually cohesive fictionalized autobiographical journal of a young filmmaker who roams through the desolate streets of a suburban city, occasionally acting out her inner demons through a metaphorically soulless, ambiguously inexpressive marionette. Suicide (Shelly Silver) A similarly themed video journal… read more »

Pretend, 2003

Julie Talen’s feature-length video, Pretend, is an astonishingly complex experimental visual narrative structure that nevertheless, sustains a cohesive, inner storytelling logic. Composed of a series of dynamically arranged, multi-channel screens, each presenting alternate points of view, imagined scenarios, experiments in color and textual composition, and fragmentation of chronology, the video uses a seemingly simple tale… read more »

Program 13: Peep “TV” Show, 2004

In an illuminating episode in Peep TV Show, an androgynously dressed young man sits in his favorite area of the street corner after he has placed a small yellow gift box on the sidewalk nearby (a ritual that he has repeatedly performed during the course of the film) – his jacket pulled over his head… read more »

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