Marguerite Duras

Marguerite Duras (French Film Directors) by Renate Günther

In Marguerite Duras, author Renate Günther examines Marguerite Duras’s films from the perspective of interweaving politics and memory that runs through her body of work. Born in Gia-Dinh in French Indochina (now Vietnam), the only daughter of emigrant teachers Emile and Marie Donnadieu who moved to the colonies in search of a better life, Duras’s… read more »

India Song, 1975

The static shot of a sun setting in real-time on an eerily tranquil, desolate horizon is framed against the sound of multicultural voices interwoven into a curious – and strangely dissociative – chorus of traditional storytelling chants and third-person recollective dialogue. Recounting the story of a Laotian-born beggar girl along the Ganges River who, at… read more »

Nathalie Granger, 1972

It would seem logical to characterize Marguerite Duras’ organic, elliptical anti-melodrama Nathalie Granger as a precursor of sorts to the implosive isolation and domestic violence of Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles. Both films depict a silent ritualism to the performance of domestic chores through stationary shots and disembodied framing, and… read more »

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