Luis Buñuel

Refiguring Spain: Cinema/Media/Representation, edited by Marsha Kinder

Composed of three sections, Historical Recuperation, Sexual Reinscription, and Marketing Transfiguration: Money/Politics/Regionalism, Refiguring Spain: Cinema/Media/Representation is a collection of essays that examine the ways in which Spanish cinema has both defined and constructed a national identity in the latter half of the twentieth century under a transformative climate of repression, democratization, social liberation, and globalism…. read more »

Indecent Exposures: Buñuel, Saura, Erice and Almodóvar by Gwynne Edwards

Indecent Exposures: Buñuel, Saura, Erice and Almodóvar by Gwynne Edwards examines the unique influence and residual legacy of the Spanish Civil War on the films of four notable Spanish directors: Luis Buñuel, Carlos Saura, Victor Erice, and Pedro Almodóvar. Edwards examines three Luis Buñuel films, Viridiana, The Exterminating Angel, and Tristana in order to characterize… read more »

That Obscure Object of Desire, 1977

The opening sequence of That Obscure Object of Desire has come to define the surreal, sardonic humor of the great director, Luis Buñuel. Before leaving for his trip, Mathieu (Fernando Rey), a wealthy middle-aged businessman, methodically orders his valet to burn everything in the room that is associated with a certain woman. On his way… read more »

The Discreet Charm of the Bourgeoisie, 1972

The guests arrive at the Senechal home for a dinner party, only to discover that the invitation had been given for the following evening. This miscommunication proves to be the first in a series of unusual events that invariably prevent the Thevenots (Paul Frankeur and Delphine Seyrig), the Senechals (Jean-Pierre Cassel and Stephane Audran), Don… read more »

Belle de jour, 1967

Belle de Jour is a provocative and emotionally complex film about sexual inhibition, liberation, and obsession. Highly controversial, critically acclaimed, and even banned for its mature subject matter, Belle de Jour is an artistic and surprisingly tactful and discreet film, operating on a level that is suggestive and erotic without gratuitous titillation. Severine (Catherine Deneuve),… read more »

The Exterminating Angel, 1962

The sound of a tolling church bell prefaces the bizarre events that are to unfold at a Mexican estate on Providence Street. An aristocrat appropriately named Nobile (Enrique Rambal) has invited several society friends to his home after the opera. But even as the dinner preparations are underway, the servants feel an inexplicable urge to… read more »

The Criminal Life of Archibaldo de la Cruz, 1955

A seemingly rational, well mannered artist named Archibaldo de la Cruz (Ernesto Alonso) recounts the moment of revelation of his fated destiny as he methodically turns the pages of a photography book of war casualties. On an ominous evening during an unnamed civil insurrection, a spoiled young Archibaldo is entrusted to the care of a… read more »

Él, 1953

A peculiar, quasi-religious solemn ceremony – in a drolly surreal sequence that even manages to insert Luis Buñuel’s notorious foot fetish – sets the metaphoric theme for the often (uncomfortably) over-intimate societal relationship between parishioner and priest (and more broadly, the individual and the church) as a dashing aristocrat, Don Francisco (Arturo de Córdova) assists… read more »

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