Ivo Michiels

Split Screen: Belgian Cinema and Cultural Identity by Philip Mosley

In Split Screen: Belgian Cinema and Cultural Identity, author Philip Mosley makes a salient and illuminating re-evaluation of a bifurcated Belgian cinema, not only through the reality of a federal state characterized by a decentralized government and regional autonomy, but also irreparably marked by occupation and war, and divided by a cultural heterogeneity that has… read more »

Seagulls Are Dying in the Harbor, 1955

In hindsight, the expressionistic collaborative feature Seagulls Are Dying in the Harbor by Flemish filmmakers Roland Verhavert, Ivo Michiels, and Rik Kuypers proves especially suited as a milestone film for Belgian national cinema, carrying the international distinction as the country’s first feature film to be screened at the Cannes Film Festival. Set in postwar Antwerp,… read more »

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