Françoise Romand

Program 9: Thème Je/The Camera I

It is unfortunate that some filmmakers still seem to confuse self-critical emotional nakedness with physical nakedness, and it is especially unexpected to see this in an artist of Françoise Romand’s caliber and artistic maturity (her documentary Mix-Up is a sublime and intelligent psychoanalytical discourse on identity in light of two middle-aged British women who were… read more »

Mix-Up, 1985

Five years before Abbas Kiarostami would blur the delineation between documentary and fiction in Close-Up by casting underemployed laborer and accused Mohsen Makhmalbaf impersonator, Sabzian to participate in a re-enactment of his fateful encounter with Mrs. Mahrokh Ahankhah and his subsequent deception of the Ahankhah family by ingratiating himself into their company, Françoise Romand would… read more »

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