State of Weightlessness, 1994

Filmed after the dismantling of the Soviet Union at a time when the U.S. space station project (then called Freedom) that had been championed by Ronald Reagan was similarly facing its own crisis of survival after a series of deep budget cuts (partly in response to shifting political considerations and administrations), Maciej Drygas’s The State […]

Hear My Cry, 1991

Filmed during the breakup of the Soviet Union, Hear My Cry captures the essence of Maciej Drygas’s articulate and insightful film essays on the rupture between official record and human history, the impossibility of absolute truth, and the malleable nature of collective memory. The theme of revisionist history is prefigured in the film’s opening shot, […]

La Peine perdue de Jean Eustache, 1997

Angel Díez’s reverent and elegiac rumination on the iconoclastic, deeply personal cinema of Jean Eustache, La Peine perdue de Jean Eustache (The Lost Sorrows of Jean Eustache) hews closer to essay film than straightforward documentary, a muted, brooding tone piece where loss, grief, and mourning are reflected in the images of empty spaces, fragmented figures, […]

Seventeen, 1983

One of the highlights from Film Comment Selects this year was the screening of Joel DeMott and Jeff Kreines’s underseen cinéma vérité film, Seventeen, a reverent and candid cross-cultural portrait of working class high school students from Muncie, Indiana that was once deemed objectionable for broadcast on PBS (the film had been commissioned as part […]