Russian Critics on the Cinema of Glasnost, edited by Michael Brashinsky and Andrew Horton

Russian Critics on the Cinema of Glasnost, edited by Michael Brashinsky and Andrew Horton, is a book in two parts: the first, Films in a Shifting Landscape, is a series of essays analyzing the historical and cultural legacy that shaped three generations of Soviet film criticism; the second, Glasnost’s Top Ten, is a compilation of […]

Alexandra, 2007

One of my favorite films from this year’s festival is Aleksandr Sokurov’s Alexandra, a spare, poetic, and understatedly affirming elegy on the spiritual and moral consequences of a corrosive, interminable war. At the heart and soul of the film is the stubborn and indomitable babushka, Alexandra, played by the famed Russian soprano and sprightly octogenarian […]

The Sun, 2005

Aleksandr Sokurov has always seemed to be particularly in his element with his dense and amorphous expositions of integrated, Eastern spirituality (A Humble Life, Dolce) and the commutation of collective history (Oriental Elegy, Russian Ark, so it comes as no suprise that the third installment of his historical tetralogy, The Sun – a film that […]

Russian Ark, 2002

Aleksandr Sokurov’s Russian Ark was next, and it is quite a spellbinding, visually brilliant film, as Sokurov transports us through episodes of Russian history through the confines of The Hermitage Museum in one long unbroken shot (in the same experimental vein as Alfred Hitchcock’s Rope) that seems to create a seeming perpetuity that underscores a […]

Elegy of a Voyage, 2001

An obscured, unnamed narrator journeys across morphing, ethereal landscapes of frenetic and impersonal European cities before seeking refuge from the inclement weather at a desolate, neglected museum in an unidentified European town. Wandering through the austere and soulless rooms, the narrator’s silhouette melancholically hovers over paintings like a brooding, unreconciled ghost, organically reflecting in a […]

Dolce, 2000

Dolce opens to a clinical biographical overview of writer and poet Toshio Shimao (1917-1986) as the narrator (Aleksandr Sokurov) thumbs through a family photo album, describing Shimao’s privileged life as the heir of an affluent merchant family, before enlisting in the Japanese military as a kamikaze pilot during the Pacific War. Stationed on a remote […]