Free Radicals, 2003

Ostensibly titled after highly reactive (and consequently, short-lived) molecules that contain unpaired electrons in their outer shells, Barbara Albert’s Free Radicals presents a series of fractured (and often sexually gratuitous) tales of coincidence and synchronicity. The film unfolds in an organic structure that reflects the conventional proverb on the consequential, unforeseen, long-reaching effects of the […]

Twilight’s Last Gleaming, 1977

Loosely adapted from novelist Walter Wager’s 1971 thriller, Viper Three, Twilight’s Last Gleaming is Robert Aldrich’s impassioned and provocative excoriation – and, perhaps implicitly, exorcism – of the American government’s administrative Cold War policy that sought to wage a representative, small-scale, protracted ideological war in Vietnam in order to reinforce a “doctrine of credibility” to […]

Chouchou, 2003

A patently offbeat and whimsical confection, Merzak Allouache’s Chouchou recalls the more predictably rocambolesque, light comedies of Francis Veber (particularly, La Cage aux Folles), as a displaced foreigner named Choukri (Gad Elmaleh), nicknamed Chouchou by his late mother, claiming to be a Chilean political exile (albeit anachronistically after the fall of Augusto Pinochet), finds refuge […]

Paradise, 2009

Something like an unconstructed take on Peter Mettler’s epic essay film, Gambling, Gods and LSD, Michael Almereyda’s Paradise similarly assembles a series of fragmentary, cross-cultural, quotidian images taken from the filmmaker’s video diaries that reflect on fundamental human questions of life, existential purpose, and transcendence. In an early episode in the film, a man passing […]